![Anna Muller speaks to three students. Anna is a young white woman with short, brown hair. She is wearing a navy/white polka dot blouse and a brown maxi skirt.](/sites/default/files/styles/news_banner/public/group-library/341/forbiddenart.jpg?h=d51303bb&itok=tccdCfog)
Three women push wheelbarrows.
Two women keep their heads up, foraging ahead. The third looks down, defeated.
Looking at the works in Forbidden Art: Illegal Works by Concentration Camp Prisoners in the University Gallery Space, student Peggy Stevens pauses at this particular drawing, 鈥淲omen With Wheelbarrows鈥 by Maria Hiszpanska.
鈥淭hose two women. They are not giving up,鈥 said Stevens, who chose to focus on the piece for an assignment in her course HISTV 390: Oppression and Survival in Concentration Camps, which was designed to accompany the Forbidden Art exhibit.
The nationally touring exhibit, which came to campus through 萝莉社-Dearborn鈥檚 Voice/Vision: Holocaust Survivor Oral History Archive, was curated by the Auschwitz-Birkenau State Museum and brought to the U.S. by The Polish Mission of the Orchard Lake Schools. It illustrates both the horror of daily life in concentration camps and the hope prisoners held on to through their art.
鈥淭he two women are focused. If they get through one day, they will then think of the next day. The way to endure is to focus on the moment. I understand that focus,鈥 said Stevens, who said she found the work relatable and inspirational after a recent breast cancer diagnosis. 鈥淵ou don鈥檛 want to be negative, even though you know about others who are dying. You live in the moment. You move forward.鈥
Anna Muller, who crafted the course, said the overarching concept of this class is to analyze how individuals cope with conditions and identities forcefully imposed on them. To Muller, that鈥檚 how she understands 鈥渇orbidden art.鈥
鈥淲e are investigating how men and women of different races and ethnicities experienced oppression and how they use their bodies and develop skills to remain human in dehumanizing conditions,鈥 said Muller, assistant professor of history and the Frank and Mary Padzieski Endowed Professor in Polish/Polish American/Eastern European Studies. The focus is on concentration camps, but they are also looking at censorship, racism, gender and resistance.
To share various experiences and survival strategies, Muller has included documentaries, Voice/Vision archive stories, biographies and guest speakers.
鈥淚t is important to think and reflect on what has happened in the past. There are ways, which may vary depending on your culture and your personal experiences, to compare what someone has experienced to what has happened to you. To relate to what you are hearing or seeing,鈥 she said to the class. 鈥淭his is life. This is how we tell stories. We have to make sense鈥攁s critically thinking human beings鈥攐f things happening around us.鈥
Guest speaker Barbara Milewski, associate professor of music and chairwoman of music and dance at Swarthmore College, came to one of the three-hour class sessions and shared the story of Krystyna Zywulska, an Auschwitz-Birkenau survivor who is known for the poems and songs she wrote while at the death camp.
鈥淭ake off your striped clothes
Kick off your clogs
Stand with me
Hold your shaved head high
The song of freedom upon our lips
Will never, never die
When winter winds blow
Through the empty barracks
Our song will linger and everyone will know鈥
Milewski said that Zywulska鈥檚 words gave the other inmates hope and Zywulska purpose. Her artistic expression also attracted the attention of a well-positioned older prisoner who heard the poem and was so inspired that she helped secure Zywulska鈥檚 transfer out of the death camp and into a work detail one, which saved her life.
After the presentation, Stevens said that story shows how important it is to stay positive in the face of adversity鈥攐r, if you are faltering, to find a message that is positive.
鈥淭his may have happened more than 70 years ago, but we can understand it. It鈥檚 something that transcends time,鈥 said Stevens. 鈥淲e all need inspiration.鈥
Reflecting on the both the classroom experience and the exhibit art, Stevens said the exhibit and the course has shown her how the human spirit can overcome incredible odds.
鈥淭hose two women pushing the wheelbarrow look like they are going to make it. Taking this class, I鈥檓 struck by all the comparisons that I鈥檝e been able to make to my own life. These stories are about resilience. You cannot always choose your circumstances, but you can choose how they affect you.鈥
The Forbidden Art exhibit will be on display at the Berkowitz Gallery, located on Mardigian Library鈥檚 third floor, through Dec. 23. There is no admission charge and hours are 9 a.m. to 5 p.m. Monday through Friday.